Wild Shrew Literary Review (WSLR) is Sinister Wisdom’s online book review project. To complement the longer list of suggested books available for review, each month we feature a selection of books being released that month. If you would like to write a review, or if you would like to be added to the WSLR email list to receive the monthly complete book list with book descriptions, please email the WSLR editor, Chloe Berger, at chloe at sinisterwisdom dot org.
August 2025 Featured Books:
1. Sweetener by Marissa Higgins
2. Sea, Mothers, Swallow, Tongues by Kim de l’Horizon, translated by Jamie Lee Searle
3. Lessons in Magic and Disaster by Charlie Jane Anders
4. A Circle Outside by Linda Rosewood
5. Black Flame by Gretchen Felker-Martin
6. La única lesbiana de Ávila / The Only Lesbian in Ávila by Laura Terciado
7. Cleaner by Jess Shannon
8. Transanything: Essays by Ever Jones
9. Alpha and Omega by Jane Ellen Harrison
10. The Uterus is an Impossible Forest by Shannon Kearns
Book descriptions:
Sweetener by Marissa Higgins: From the author of A Good Happy Girl, a messy lesbian novel following two exes who turn to online dating after their dramatic split—only to end up seeing the same woman
In Sweetener, recently separated wives—both named Rebecca—can’t seem to disentangle their lives. Lonely and depressed, Rebecca is scraping by as a part-time cashier at an organic grocery store. Despite having less than ten dollars in her bank account, she lists herself as a sugar mama on a lesbian hookup app, where she connects with Charlotte, an artist who, unbeknownst to Rebecca, is also dating her wife.
The other Rebecca, a doctoral student who is newly motivated to stay sober, has discovered a way to fulfill her dream of becoming a parent without getting pregnant. She wants to foster a child, and because the Rebeccas are still legally married, she needs her wife to attend classes as part of the approval process.
Neither Rebecca asks if this means they’re getting back together, but the possibility of a reunion sends Charlotte into a tailspin. As Charlotte navigates her desire for each Rebecca—or her desire for attention—her world becomes Gumby-like and surreal, not least because she’s been wearing a pregnancy belly and only one of the Rebeccas knows it isn’t real.
Sumptuous, sticky, and slightly absurd, Sweetener brings together three women fixated on the fantasy of motherhood, and how they might best fill the role in someone else’s life.
Sea, Mothers, Swallow, Tongues by Kim de l’Horizon, translated by Jamie Lee Searle: A prize-winning, boundary-breaking debut exploring family, class, history, and the true idea of the self.
A glorious, tender, unsparing exploration of language, family, history, class, and the very idea of the self and the human, Sea, Mothers, Swallow, Tongues begins with the loss of memory. As their grandmother falls into dementia, the narrator begins to ask questions—to fill in the silences and the gaps. Childhood memories resurface, revealing a path into the past. The matrilineal line leads toward nature, witchcraft, freedom, and power. Could this be where they belong?
A quest toward understanding, a story of liberation—from generational trauma, gender constructs, class identity, the limits of language—Sea, Mothers, Swallow, Tongues invents its own forms, words, and bodies to conjure and cast out the very idea of the unspeakable. It searches for other kinds of knowledge and traditions, other ways of becoming, and reaches for wisdom beyond the human. In Sea, Mothers, Kim de l’Horizon recasts family narratives, abandoning the linear in favor of a fluid, incantatory, expansive search into who we are.
Lessons in Magic and Disaster by Charlie Jane Anders: In the vein of Alice Hoffman and Charlie Jane Anders’s own All the Birds in the Sky comes a novel full of love, disaster, and magic.
A young witch teaches her mother how to do magic--with very unexpected results--in this relatable, resonant novel about family, identity, and the power of love.
Jamie is basically your average New England academic in-training—she has a strong queer relationship, an esoteric dissertation proposal, and inherited generational trauma. But she has one extraordinary secret: she’s also a powerful witch.
Serena, Jamie’s mother, has been hiding from the world in an old one-room schoolhouse for several years, grieving the death of her wife and the simultaneous explosion in her professional life. All she has left are memories.
Jamie’s busy digging into a three-hundred-year-old magical book, but she still finds time to teach Serena to cast spells and help her come out of her shell. But Jamie doesn’t know the whole story of what happened to her mom years ago, and those secrets are leading Serena down a destructive path.
Now it’s up to this grad student and literature nerd to understand the secrets behind this mysterious novel from 1749, unearth a long-buried scandal hinted therein, and learn the true nature of magic, before her mother ruins both of their lives.
A Circle Outside: A subversive comedy of manners set in a commune of lesbian witches in Eighties California by Linda Rosewood: It’s the early 1980s, and a household of lesbian feminists establish a women-only commune in an ancient Californian redwood forest.
It seems a perfect place to practice the ritual magic that helps them function harmoniously as a group—even if they aren’t all true believers. By getting back to the land, they can also live more as nature intended and give the finger to the Patriarchy.
That doesn’t stop jealousies arising, as Wren, an artist, nurses an unrequited crush on Robin, the land’s extraordinarily generous owner. Further conflict brews as Gloria, the manipulative leader of the group, disagrees with Robin about her own rule: no men on the land.
Warm, funny and harking unashamedly back to a less toxic era, A Circle Outside is a seductive vision of a utopian dream, where the only real magic is self-transformation.
Black Flame by Gretchen Felker-Martin: One woman’s deadly obsession with a haunted archival film precipitates her undoing in Black Flame, from the USA Today bestselling author of Manhunt, Gretchen Felker-Martin.
A cursed film. A haunted past. A deadly secret.
The Baroness, an infamous exploitation film long thought destroyed by Nazi fire, is discovered fifty years later. When lonely archivist Ellen Kramer—deeply closeted and pathologically repressed—begins restoring the hedonistic movie, it unspools dark desires from deep within her.
As Ellen is consumed by visions and voices, she becomes convinced the movie is real, and is happening to her—and that frame by frame, she is unleashing its occult horrors on the world. Her life quickly begins to spiral out of control.
Until it all fades to black, and all that remains is a voice asking a question Ellen can’t answer but can’t get out of her mind.
Do you want it?
More than anything?
La única lesbiana de Ávila / The Only Lesbian in Ávila by Laura Terciado: Un testimonio personal de la periodista queer Laura Terciado acerca de su experiencia de vida como lesbiana y defensora de los derechos del colectivo LGBT.
Seguramente alguna vez hayas sentido que todos son normales menos tú.
Yo nací y crecí en Ávila pensando que era la única lesbiana de la ciudad y estando segura de que el Diablo vendría a por mí.
Me sentía sola, rara, atrapada en una “fase” que se eternizaba y dentro de un armario con tantas puertas que creía que jamás sería capaz de salir de él.
Odiaba el instituto, odiaba el color rosa, odiaba los motes, los insultos, las preguntas, la palabra lesbiana. Pero, por encima de todas las cosas, me odiaba a mí misma.
Hasta que exploté. Y todo saltó por los aires.
English Description:
The personal testimony of queer journalist Laura Terciado about her life as a lesbian and defender of the LGBT community.
Have you ever felt that everyone is normal except for you?
I grew up in Ávila convinced that I was the only lesbian in the city and that the Devil would surely come for me.
I felt alone, weird, stuck in a “phase” that become permanent, in a closet with so many doors that I thought I’d never find my way out.
I hated school, the color pink, the nicknames, insults, questions, and the word lesbian. Most of all, I hated myself.
Until I exploded. And everything blew up.
Cleaner by Jess Shannon: A woman in her mid-twenties moves back home to live with her parents, where her listlessness fuels an obsession with cleaning, and sets in motion a series of events that lead to her posing as a model in a nude gallery where she encounters a woman whose life will intertwine with her own.
‘An utterly unflinching debut novel about becoming adrift: a rare and profound book about loneliness, self-expression and disillusionment, featuring sex, love, drugs – and cleaning’ Ian Sansom
Transanything: Essays by Ever Jones: A debut essay collection that upends our notions of loneliness, wilderness, and liberation
Transanything reveals a world in metamorphosis. A hermit crab retires its shell, lovers drift apart, and seasons churn, all amid Ever Jones’s own narrative of midlife gender transition.
Jones takes up a tradition of writing—about the American landscape, solitude, wilderness, and the West—long intertwined with colonialism and heteropatriarchy, and makes it wholly their own. A self-proclaimed “nature essay” misbehaves, wandering away from the hummingbird outside Jones’s window. In their chronicle of a week in Yellowstone, Jones navigates trails frequented by grizzlies and a campground where their identity is regarded as equally dangerous. Elk, bison, and bark spiders roam this book’s pages, but it is the gray wolf—the embattled apex predator of the American West, narrow survivor of settler colonial violence, and vessel for American myths of independence—who emerges as Jones’s shapeshifting coprotagonist.
Taking on a global web of colonial systems that seek to divide us, Jones disrupts loneliness and forges space for queerness and transness to be aliveness—to be transanything.
Alpha and Omega by Jane Ellen Harrison: From Marginalian Editions: a far-seeing essay collection by the iconoclastic historian Jane Ellen Harrison—heroine to generations of writers from Virginia Woolf to Mary Beard—that explores the invisible tendrils between science and the sacred, the psychology of bias, the fulcrum of progress, and the countercultural courage of changing our minds in light of new understanding.
Alpha and Omega is the culminating work of Jane Ellen Harrison, the maverick Cambridge classicist who reshaped our understanding of ancient Greek culture and pioneered a radical vision of faith, imagination, and progress. Declaring herself a “deeply religious atheist,” Harrison rejected the confines of dogma to explore faith as the human capacity to transcend the known and imagine the possible. This collection of essays—published at the dawn of World War I—unpacks the invisible connections between science and spirituality, individual belief and collective consciousness, and reason and love as forces for societal transformation. With wit and daring, Harrison dismantles the binaries that divide us—young and old, feminine and masculine, sacred and profane—revealing how these tensions, when reconciled, can catalyze change.
As Maria Popova writes in her introduction, Harrison’s essays are an “act of faith toward the future and an act of heresy toward the status quo,” challenging us to rethink our biases, beliefs, and most deeply held assumptions. From the influence of Darwinism on religion to the psychology of conversion, from the evolution of gender roles to the ethics of pacifism, Alpha and Omega is a timeless guide to the imagination and courage required to live through an age of division and uncertainty.
The Uterus is an Impossible Forest by Shannon Kearns: The forest is a mother is a witch is a womb.
Here, the trees hold impossible magic; their roots are a haunted house, a spiral, a three-knock ritual on the fairy-tale door. When you wander into its arms, it’s important to surrender: eat the apple but protect your name. The darkness will only choke you faster if you try to resist.
Beneath the spellwork and the silence of these woods, you’ll find poetry that acts as a portal. Kearns births a unique blend of whispered silhouettes and blood-soaked runes, her words the screams of audible drownings. Inspired by themes of motherhood, witchcraft, and the divine feminine, this collection dissects, rebuilds, and unleashes a vision of female empowerment and beauty, all while embracing the shadow and savoring the scars of a prolonged death.
This collection is an homage to the flickering light in a cave, to the introspection of our bodies, and the astrology of the mind. Unable to look away, readers will confront the mirror of grief and madness, unpack the crystal-laden tears of confronted family lineages, and walk down uncharted paths of forged hope and connection. Proceed softly, dream carefully, and if you get to the end, make sure you thank the spirits for keeping you alive.