Wild Shrew Literary Review (WSLR) is Sinister Wisdom’s online book review project. To complement the longer list of suggested books available for review, each month we feature a selection of books being released that month. If you would like to write a review, or if you would like to be added to the WSLR email list to receive the monthly complete book list with book descriptions, please email the WSLR editor, Chloe Berger, at chloe at sinisterwisdom dot org.
December 2024 Featured Books:
1. The Blessed by Anne Shade
2. Sister Snake by Amanda Lee Koe
3. The Shutouts by Gabrielle Korn
4. Deviant Matter: Ferment, Intoxicants, Jelly, Rot by Kyla Wazana Tompkins
5. Good Pictures Are a Strong Weapon: Laura Gilpin, Queerness, and Navajo Sovereignty by Louise Siddons
6. Becoming Lesbian: A Queer History of Modern France by Tamara Chaplin
7. S/HE by Minnie Bruce Pratt
8. How to Be Heard by Roxane Gay
Book descriptions:
The Blessed by Anne Shade: Suri Daniels, a beautiful and troubled woman, is the descendant of a family of supernaturally gifted women, known as the Blessed, and literally holds keys to gateways between the earthly plane and seven powerful gods. A series of tragic losses and a stipulation in her grandmother’s will has her returning to the family’s home in New Orleans, unaware that she will need to step into the role of Orisha priestess and escape the attention of a powerful demon. To top it all off, she must accept the help of a Cambion--Lyla Jefferies, a dark supernatural being she has spent her life avoiding. What’s worse? She can’t help being drawn to Layla in ways she doesn’t understand.
Being the love child of a top-tier demon and a human isn’t all it’s cracked up to be. For the past two hundred years, Layla Jefferies has lived a life of quietude. When an unknown force draws her out of seclusion, the pull is too strong to ignore. Layla is tasked to assist with protecting the gateways and saving Suri from becoming a vengeful demon’s avatar. Falling in love with her is definitely not part of the plan.
Layla and Suri are brought together by fate to defeat the darkness threatening to tear their world apart. What they don’t expect to discover is a love that might set them free.
Sister Snake by Amanda Lee Koe: A glittering, bold, darkly funny novel about two sisters—one in New York, one in Singapore—who are bound by an ancient secret Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim and using her charms to make ends meet. But they share a secret: once, they were snakes, basking under a full moon in Tang dynasty China.
A thousand years later, their mysterious history is the only thing still binding them together. When Emerald experiences a violent encounter in Central Park and Su boards the next flight to New York, the two reach a tenuous reconciliation for the first time in decades. Su convinces Emerald to move to Singapore so she can keep an eye on her—but she soon begins to worry that Emerald’s irrepressible behavior will out them both, in a sparkling, affluent city where everything runs like clockwork and any deviation from the norm is automatically suspect.
Razor-sharp, hilarious, and raw in emotion, Sister Snake explores chosen family, queerness, passing, and the struggle against conformity. Reimagining the Chinese folktale “The Legend of the White Snake,” this is a novel about being seen for who you are—and, ultimately, how to live free.
The Shutouts by Gabrielle Korn: A brilliant queer dystopian novel from the author of Yours for the Taking, following a cast of characters on the margins of a strange and exclusive new society.
The year is 2041, and it’s a dangerous time to be a woman driving across the United States alone. Deadly storms and uncontrollable wildfires are pummeling the country while political tensions are rising. But Kelly’s on the road anyway; she desperately needs to get back to her daughter, who she left seven years ago for a cause that she’s no longer sure she believes in.
Almost 40 years later, another mother, Ava, and her daughter Brook are on the run as well, from the climate change relief program known as The Inside Project, where they’ve spent the past 22 years being treated as lab rats. When they encounter a woman from Ava’s past on the side of the highway, the three continue on in a journey that will take them into the depths of what remains of humanity out in the wilderness.
At the same time, way up North, weather conditions continue to worsen and a settlement departs in search of greener pastures, leaving behind only two members, drawn together by a circumstance and a mystery they are destined to unravel together.
Set in the world of Gabrielle Korn’s Yours for the Taking, The Shutouts tells the captivating story of those who have been shut out from Inside, their fight to survive, and an interconnectedness larger than all of them.
Deviant Matter: Ferment, Intoxicants, Jelly, Rot: How deviant materials figure resistance by Kyla Wazana Tompkins: Yeast ferments, gelatin jiggles, drugs and alcohol froth and bubble, and flesh from animals and plants actively molds and rots. These materials morph through multiple states and phases, and their movement is imbued with a liveliness that is suggestive of volition.
Deviant Matter examines four aesthetic and material categories— gelatinousness, fermentation, putrefaction, and intoxication—to theorize how the modern state seeks to manage deviant populations across multiple scales, from the level of the single cell up to the affective and aesthetic imperatives of the state and its bureaucratic projects. Kyla Wazana Tompkins deploys a new materialist engagement with the history of race and queer life, making an argument for queer of color method as political and disciplinary critique. Deviant Matter delves into a vast archive that includes nineteenth-century medical and scientific writing; newspaper comic strips and early film; the Food and Drug Act of 1906; the literature of Martin Delany, Louisa May Alcott and Herman Melville; and twenty-first century queer minoritarian video, installation, and performance art.
Drawing from the genealogy of Black feminist and queer of color critique, in Deviant Matter rot, jelly, ferment and intoxicating materials serve as figures for thinking about how matter, art, politics, and affect can be read across multiple scales, ranging from the intimate and molecular everyday to the vast print production and inner workings of the state. Tompkins demonstrates that we are moved by our encounters with the materials in Deviant Matter, producing feelings and sensations that she links to a system of social value where these sensations come to be understood as productive, exciting, disgusting, intoxicating, or even hallucinatory. Moving through multiple states and phase changes, falling apart and reforming again, ferment, rot, intoxicants and jelly energize and choreograph both themselves and human behavior. At the same time, these materialities come to signify exactly those populations whose energy escapes the extractive efforts of capitalism and the state.
Good Pictures Are a Strong Weapon: Laura Gilpin, Queerness, and Navajo Sovereignty by Louise Siddons: What are the limits of political solidarity, and how can visual culture contribute to social change?
A fundamental dilemma exists in documentary photography: can white artists successfully portray Indigenous lives and communities in a manner that neither appropriates nor romanticizes them? With an attentive and sensitive eye, Louise Siddons examines lesbian photographer Laura Gilpin’s classic 1968 book The Enduring Navajo to illuminate the intersectional politics of photography, Navajo sovereignty, and queerness over the course of the twentieth century.
Gilpin was a New York–trained fine arts photographer who started working with Navajo people when her partner accepted a job as a nurse in Arizona. She spent more than three decades documenting Navajo life and creating her book in collaboration with Navajo friends and colleagues. Framing her lesbian identity and her long relationship with the Navajo people around questions of allyship, Good Pictures Are a Strong Weapon addresses the long and problematic history of White photographers capturing images of Native life. Simultaneously, Siddons uses Gilpin’s work to explore the limitations of White advocacy in a political moment that emphasized the need for Indigenous visibility and voices.
Good Pictures Are a Strong Weapon introduces contemporary Diné (Navajo) artists as interlocutors, critics, and activists whose work embodies and extends the cultural sovereignty politics of earlier generations and makes visible the queerness often left implicit in Gilpin’s photographs. Siddons puts their work in conversation with Gilpin’s, taking up her mandate to viewers and readers of The Enduring Navajo to address Navajo aesthetics, traditions, politics, and people on their own terms.
Becoming Lesbian: A Queer History of Modern France by Tamara Chaplin: A landmark analysis of how a marginalized subculture used modern media to transform public attitudes toward sexual desire.
In Becoming Lesbian, historian Tamara Chaplin argues that the history of female same-sex intimacy is central to understanding the struggle to control the public sphere. This monumental study draws on undiscovered sources culled from cabaret culture, sexology, police files, radio, TV, photography, the Minitel (an early form of internet), and private letters, as well as over one hundred interviews filmed by the author. Becoming Lesbian demonstrates how women of diverse classes and races came to define themselves as lesbian and used public spaces and public media to exert claims on the world around them in ways that made possible new forms of gendered and sexual citizenship. Chaplin begins in the sapphic cabarets of interwar Paris. These venues, she shows, exploited female same-sex desire for profit while simultaneously launching an incipient queer female counterpublic. Refuting claims that World War II destroyed this female world, Chaplin reveals instead how prewar sapphic subcultures flourished in the postwar period, laying crucial groundwork for the politicization of lesbian identity into the twenty-first century.
Becoming Lesbian is filled with colorful vignettes about female cabaret owners, singers, TV personalities, writers, and activists, all brought to life to make larger points about rights, belonging, and citizenship. As a history of lesbianism, this book represents a major contribution to modern French history, queer studies, and genealogies of the media and its publics.
S/HE by Minnie Bruce Pratt: In this series of poetic vignettes, award-winning poet Minnie Bruce Pratt explores the fluidity, capaciousness, unpredictability, malleability, and shifting everyday terrains of sex and gender.
As memoir, S/HE challenges oppressive frames of respectability and womanhood, tracing Pratt’ s circuitous path through sex, gender, and sexuality. S/HE also narrates one of the greatest love stories of the twentieth century, providing an intimate portrayal of how Pratt and Leslie Feinberg met, fell in love, and built a life together.
Examining the porous boundaries between masculinity and femininity and noting that liberation requires one to question and cross these binaries, Pratt theorizes sex and gender as not only grids for legibility and surveillance but also as spaces for freedom and pleasure. By drawing on the splendid ordinariness of everyday life and quotidian encounters, Pratt gives “theory flesh and breath.” S/HE imagines new queer, feminist engagements in bodies, in politics, and in the messy contradictions of sex and gender.
How to Be Heard by Roxane Gay: Roxane Gay, the prominent novelist, New York Times bestselling author of Hunger and Bad Feminist, cultural critic, and columnist provides practical guidance for everyone who wants to use their voice to write powerful work to share with the world.
All writing advice is terrible, Roxane Gay states early in How to Be Heard. And still, with her latest book, she steps forward with practical writing advice for aspiring and established writers alike. Roxane is often asked questions that can be boiled down to, “Will you please read my work and tell me if I have the talent to pursue writing?” What these hopeful wordsmiths all seek is encouragement and validation in a culture that is eager to reject creativity and those who pursue it, especially artists from underrepresented communities. These fans are desperate for someone to say, “Yes, you are good enough.” They are looking for permission to use their voice.
In this invaluable guide, Gay provides realistic, frank, and humorous advice for inexperienced writers and those who aspire to the writing life, giving readers the confidence and practical tools they need to find their voice, use it, and be heard. In short chapters, Gay covers topics like “How to write a short story,” “How to write sex,” “How to revise your writing,” “How to handle criticism,” and “How to write about the world we live in,” with irreverence, warmth, and practicality. She also writes, about the business of writing, a topic all too often neglected in writing instruction.
How to Be Heard will give writers the tools, guidance, and inspiration that will ultimately add their work to the rich tapestry of American and world culture—widening readers’ perspectives and deepening their understanding of how to be heard.
